9 Acts

Program

Act 01

Teentaal

Teentaal is the most widely performed and versatile rhythmic cycle (taal) in Kathak, consisting of 16 beats. Dancers use Teentaal to present footwork (tatkar), spins (chakkars), rhythmic compositions, and mathematical improvisations, demonstrating precision, control, and mastery over rhythm.

Choreography:
Smt. Hiral Joshi
Composition:
Smt. Sohini Debnath
Musicians:
Masterji Jyotiprakash Mistri, Mr. Thomas, Smt. Tanushri Dhas

Act 02

Jhaptaal

Jhaptaal is a 10-beat rhythmic cycle (taal). Jhaptaal is often used to showcase rhythmic complexity, expressive compositions, and advanced improvisation. Performing in Jhaptaal requires a deep understanding of rhythm, as dancers skillfully navigate its changing accents.

Choreography:
Smt. Hiral Joshi
Composition:
Smt. Sohini Debnath
Musicians:
Masterji Jyotiprakash Mistri, Mr. Thomas, Smt. Tanushri Dhas

Act 03

Suryark

Suryark is a contemporary Kathak composition inspired by the Sun's journey from dawn to dusk, symbolizing awakening, radiance, and transcendence. Blending traditional Kathak with innovative choreography, the piece seamlessly connects Laxmi Taal, Ada Chautaal, Chautaal, and Teentaal, paying tribute the Year of the Sun.

Choreography & Composition:
Tribhuwan Maharaj
Teacher:
Smt. Hiral Joshi

Act 04

Hori

Hori is a semi-classical genre of music that embodies the joyous celebration of Holi, the Hindu festival of colors. Kathak dancers use todas and abhinaya to depict the playful interactions between Lord Krishna and Radha during this beautiful festival.

Choreography:
Smt. Hiral Joshi
Composition:
Smt. Sohini Debnath

Act 05

Thumri

Thumri is a semi-classical vocal composition emphasizing bhava (emotion) and abhinaya (expressive storytelling). Unlike classical compositions, it is rooted in themes of love, devotion, and the divine, allowing the dancer to interpret the lyrics through facial expressions and graceful gestures.

Choreography:
Smt. Hiral Joshi
Composition:
Kanwar Zorawar Singh

Act 06

Tarana

Tarana is a classical music composition using syllables like "ta," "na," "re," and "dheem" combined with sargam (musical notes). In Kathak, Tarana highlights the dancer's mastery of rhythm and speed through intricate footwork and the signature spins at different tempos.

Choreography:
Smt. Hiral Joshi
Composition:
Smt. Sohini Debnath

Act 07

Shiv Stuti

The Shiv Stuti is a short composition choreographed as a tribute to Lord Shiva, one of the principal deities in Hinduism, revered as the Transformer and the Destroyer. It uses mudras and abhinaya to depict Lord Shiva in his might.

Choreography:
Smt. Hiral Joshi

Act 08

Sitar

This is a contemporary sitar composition that allows a dancer to explore themes of mortality and transcendence. It draws inspiration from Lord Shiva's association with the cremation grounds (the ghat), inviting the audience to reflect on the impermanence of life and the timeless journey of the soul.

Choreography:
Smt. Hiral Joshi
Composition:
Sri Rishabh Rikhiram Sharma

Act 09

Kathak Fusion

Concluding the program, this contemporary work celebrates Kathak's evolution as a living classical art. Through its integration with a Western musical style, the piece illustrates the form's versatility while remaining rooted in its rich traditions.

Choreography:
Smt. Hiral Joshi